Tag Archives: Women and New Hollywood

Field Day Podcast: Polly Platt interview

At the end of July 2020, the kind folks at the Field Day podcast (specifically, Cormac Deane) invited to me to chat about my research and writing on Polly Platt. The conversation, which stretches just over an hour, ranged from … Continue reading

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Video Essay: Polly Platt – Designing the ’80s

Polly Platt is best known for two phases in her long Hollywood career. First, for her work as a production designer on some of the great films of the New Hollywood era (The Last Picture Show, What’s Up, Doc?, The … Continue reading

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Production Design Texts: Introduction

As any scholar who writes about production design will tell you, film studies has not traditionally been very enthusiastic in its engagement with the topic of who actually creates the practical images we see on screen – or how they … Continue reading

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Video Essay: “Pray for Mama”

“Pray for Mama”: Circumvented Trauma in Paper Moon Paper Moon (The Directors Company/Paramount 1973) is a lovely little film. Set in the Depression-era Midwest, it features charming performances by Ryan O’Neal, Madeline Khan, John Hillerman, and nine-year-old Tatum O’Neal (Ryan’s … Continue reading

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Call For Papers

    Women and New Hollywood Maynooth University, Ireland 29-30 May 2018 Recent decades have witnessed no shortage of critical or academic writing on the industrial upheaval and creative innovations of New Hollywood (1967-80). But as scholarship has shaped the … Continue reading

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Searching for Polly in the Bogdanovich Archives: Week One

I’ve reached the halfway point of a two-week stint at the Peter Bogdanovich archives at Indiana University in Bloomington. I’m going to save the “big conclusions” for after the trip is complete because I still have a lot of material … Continue reading

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#52FilmsByWomen

I recently wrapped up a year-long project of watching 52 films by women directors. 52 Films by Women is the idea of Women in Film, and anybody can take part at any time (in other words, you don’t have to … Continue reading

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One More Reason Women in Hollywood Can’t Catch a Break

Just a quick entry here to highlight two recent articles about women in Hollywood: Peter Biskind’s “Sherry Lansing, Dawn Steel and Sue Mengers: When the Broads Faced the Raging Bulls in ’70s Hollywood,” (The Hollywood Reporter 9 December) and Scott … Continue reading

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The Auteur Paradigm, Part 2

In Part 1 I outlined a few key developments that led – by the late 1960s – to a widespread cultural reimagining of the role of a film director. That entry is not meant to be exhaustive. There are a … Continue reading

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The Auteur Paradigm, part 1

(In this entry, I’m playing around with a few concepts and terms – such as “authorship by ownership” or “the idea of ownership.” I welcome thoughts about these concepts, suggestions for alternate terminology, or references to other texts and writers … Continue reading

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