Tag Archives: polly platt

Video Essay: “Pray for Mama”

“Pray for Mama”: Circumvented Trauma in Paper Moon Paper Moon (The Directors Company/Paramount 1973) is a lovely little film. Set in the Depression-era Midwest, it features charming performances by Ryan O’Neal, Madeline Khan, John Hillerman, and nine-year-old Tatum O’Neal (Ryan’s … Continue reading

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Video Essay: Polly Platt – Authorship by Design

As I’ve discussed in detail in earlier blog posts, Polly Platt was a key Hollywood figure for decades. She’s mainly remembered for her production design on a variety of films, in both credited and uncredited roles, between 1968-1987. But she … Continue reading

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Searching for Polly in the Bodanovich Papers: Reflections

In July of this summer I spent two weeks at the Peter Bogdanovich collection at the Lilly Library at Indiana University. I went searching for material – particularly production-related material – on Polly Platt, who was married to Bogdanovich for … Continue reading

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Video Essay: Pretty Baby: Faces

Pretty Baby (Paramount 1978) is a pretty drastic film. It’s beautifully shot, tragic, and incredibly difficult to watch because of its treatment of childhood sexuality. Part of what makes it work (if it does), is its total fascination with the … Continue reading

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Searching for Polly in the Bogdanovich Archives: Week One

I’ve reached the halfway point of a two-week stint at the Peter Bogdanovich archives at Indiana University in Bloomington. I’m going to save the “big conclusions” for after the trip is complete because I still have a lot of material … Continue reading

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The Other Side of the Director:
Polly Platt and Orson Welles’s Last Movie

Recent film and media news has been filled with excitement at the announcement that Netflix has acquired the rights to Orson Welles’s final, unfinished film project, The Other Side of the Wind. And rightly so! Wind was a labor of … Continue reading

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The Bad News Bears: Design by Polly Platt

The Bad News Bears (1976) is the second film Polly Platt designed after several years of working solely with Peter Bogdanovich. The film features Walter Matthau as Buttermaker, the coach of a ragtag bunch of foul-mouthed kids playing little league … Continue reading

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The Thief Who Came to Dinner: Design by Polly Platt

I recently watched The Thief Who Came to Dinner for the first time. This 1973 film was written by the great Walter Hill (and it’s got the punchy script to show for it), directed by an unsung Bud Yorkin,* and … Continue reading

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Polly Platt – DVDs and collaboration

While I put the finishing touches on part 2 of my thoughts on the auteur paradigm, I thought I’d post a few words about my big “black Friday” purchase. I ordered three DVDs that I hope don’t take forever to … Continue reading

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