Tag Archives: Auteur

Multiple-Authorship

So far, I’ve outlined just a few of the ways that the auteur concept has come to dominate most conceptions of Hollywood filmmaking, whether historical, academic, popular, or otherwise. In doing so, I’ve described the “internal paradoxes and contradictions” of … Continue reading

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The Auteur Paradigm, Part 2

In Part 1 I outlined a few key developments that led – by the late 1960s – to a widespread cultural reimagining of the role of a film director. That entry is not meant to be exhaustive. There are a … Continue reading

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The Auteur Paradigm, part 1

(In this entry, I’m playing around with a few concepts and terms – such as “authorship by ownership” or “the idea of ownership.” I welcome thoughts about these concepts, suggestions for alternate terminology, or references to other texts and writers … Continue reading

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