Category Archives: Women and New Hollywood

A collection of posts, thoughts, video essays and more related to my Irish-Research-Council funded research fellowship on women in New Hollywood.

Teaching Film Studies after Weinstein

This is my take on the recent disclosures about Harvey Weinstein. It is not meant to replace or supersede or in any way silence the many more heartfelt, eloquent, painful takes that others – mainly women – have been offering. … Continue reading

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Call For Papers

    Women and New Hollywood Maynooth University, Ireland 29-30 May 2018 Recent decades have witnessed no shortage of critical or academic writing on the industrial upheaval and creative innovations of New Hollywood (1967-80). But as scholarship has shaped the … Continue reading

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Searching for Polly in the Bodanovich Papers: Reflections

In July of this summer I spent two weeks at the Peter Bogdanovich collection at the Lilly Library at Indiana University. I went searching for material – particularly production-related material – on Polly Platt, who was married to Bogdanovich for … Continue reading

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Searching for Polly in the Bogdanovich Archives: Week One

I’ve reached the halfway point of a two-week stint at the Peter Bogdanovich archives at Indiana University in Bloomington. I’m going to save the “big conclusions” for after the trip is complete because I still have a lot of material … Continue reading

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The Other Side of the Director:
Polly Platt and Orson Welles’s Last Movie

Recent film and media news has been filled with excitement at the announcement that Netflix has acquired the rights to Orson Welles’s final, unfinished film project, The Other Side of the Wind. And rightly so! Wind was a labor of … Continue reading

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The Bad News Bears: Design by Polly Platt

The Bad News Bears (1976) is the second film Polly Platt designed after several years of working solely with Peter Bogdanovich. The film features Walter Matthau as Buttermaker, the coach of a ragtag bunch of foul-mouthed kids playing little league … Continue reading

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The Thief Who Came to Dinner: Design by Polly Platt

I recently watched The Thief Who Came to Dinner for the first time. This 1973 film was written by the great Walter Hill (and it’s got the punchy script to show for it), directed by an unsung Bud Yorkin,* and … Continue reading

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#52FilmsByWomen

I recently wrapped up a year-long project of watching 52 films by women directors. 52 Films by Women is the idea of Women in Film, and anybody can take part at any time (in other words, you don’t have to … Continue reading

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Multiple-Authorship

So far, I’ve outlined just a few of the ways that the auteur concept has come to dominate most conceptions of Hollywood filmmaking, whether historical, academic, popular, or otherwise. In doing so, I’ve described the “internal paradoxes and contradictions” of … Continue reading

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One More Reason Women in Hollywood Can’t Catch a Break

Just a quick entry here to highlight two recent articles about women in Hollywood: Peter Biskind’s “Sherry Lansing, Dawn Steel and Sue Mengers: When the Broads Faced the Raging Bulls in ’70s Hollywood,” (The Hollywood Reporter 9 December) and Scott … Continue reading

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